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So many of those numbers are informed by what Brecht called the Verfremdungseffekt the alienation effect. You dont try to enlist the audiences sympathy, you just do your thing straight out, as if to say, This is a play, youve paid to watch us, this is what we hope to say, if you dont like it, go home. The Ballad of Sexual Dependency, for example, just ends Dah-de-da da-dum. And the production I just saw tried to go for a hand, it was geared to make the audience like the performers

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